Veil Protocol
Each act of verification confirms an identity while taking something from it. Recognition becomes a form of loss.
Interface / 2026
Narrative interface practice
Interfaces for worlds that remain deliberately incomplete.
I design narrative systems, interfaces and archives where fiction is not decoration but structure — something you can enter, test, misread and return to differently.
Enter the works
Afterlight GeometrySpatial study
01 / 03EncounterA form appears before its rules are known.
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01 — Selected work
Each project begins as a disturbance.
A rule that does not quite hold. A memory with missing edges. A machine that asks the wrong question. I use interface design to give these tensions structure without resolving them too quickly.
02 — Practice
I cross genresfollowing the questions.
The medium follows the pressure point. Sometimes the right form is a website. Sometimes it is a map, a ritual, a bureaucratic system, a field note, a fictional institution or a reader that refuses to behave neutrally.
01Philosophical systems
Interfaces for questions of identity, agency, memory, ethics and perception — where logic is visible enough to be challenged.
02Science fiction
Near-future institutions, technologies and protocols designed from the inside out rather than decorated with futurism.
03Fantasy & mythic systems
Rules, rituals, ecologies and impossible materials treated with the precision of functioning infrastructure.
04Drama & consequence
Structures in which character, pressure and choice change the reading of an interface — not just its content.
05Existential interfaces
Absence, mortality, uncertainty and time translated into interaction, pacing, access, delay and residue.
06Worldbuilding
Archives, maps, taxonomies and visual grammars that make a fictional world coherent before it becomes fully visible.
03 — Current questions
What does the workput to the test?
Not themes to illustrate. Frictions to keep active long enough for a form to emerge.
Q01
Q02
Q03
04 — Position
A button is a promise. A menu is a constitution. A delay can become pressure.
I do not use fiction to make software look mysterious. I use the behaviour of software itself — access, hierarchy, memory, permissions, friction, repetition — as narrative material.
The interface becomes less like a picture frame and more like architecture: it decides where you can stand, what you can see, what remains locked, and what changes because you were there.
“I am interested in places where a system remains precise enough to function,
but open enough to haunt you.”
05 — About
Designer.
Speculator.
World-builder.
I design digital situations: things that can be entered, misread, returned to, and understood differently the second time.
The practice sits between interface design, fiction and systems thinking. It treats visual coherence as more than polish: every typographic choice, interaction rule and absence of information should tell us something about the world that produced it.
The work moves between calm and unease. Bright surfaces can hide difficult systems; dark ones can contain tenderness. The goal is not a signature aesthetic repeated everywhere, but a recognisable way of seeing.
MethodsInterface design, prototyping, writing, interaction, systems thinking
TerritoriesPhilosophy, science fiction, fantasy, drama, existential fiction
OutputsWeb experiences, archives, digital artefacts, narrative systems, installations
PrincipleFunction first. Ambiguity where it adds meaning. Ornament only when it carries information.